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A Princess of Mars

Overview

Edgar Rice Burroughs’s A Princess of Mars is a science-fantasy adventure and the opening volume of his Barsoom series. The story first appeared as a magazine serial, titled Under the Moons of Mars, in All-Story Magazine from February to July 1912. It was published in hardcover under the title A Princess of Mars in 1917. Blending planetary adventure, romance, swordplay, and speculative world-building, the novel became a classic of early twentieth-century pulp fiction and a formative example of the planetary romance.

Story and themes

John Carter, an American veteran of the Civil War, is in Arizona when a mysterious experience transports him from a cave to Mars, a planet its inhabitants call Barsoom. The difference in gravity gives him extraordinary strength and leaping ability by Martian standards. He is captured by the green Tharks and must learn the customs and politics of a society entirely unfamiliar to him. His courage and fighting skill gradually earn him standing among his captors, even as he remains an outsider.

Carter meets Dejah Thoris, a princess of Helium, and becomes involved in the conflicts that divide the Martian peoples and city-states. Capture, escape, rescue, and battle drive the plot, while Carter’s loyalty to his companions and growing attachment to Dejah Thoris give the action an emotional center. His journey changes him from a displaced stranger into a warrior and leader whose actions connect groups that might otherwise remain enemies. The adventure also evokes a world in decline: Barsoom has ancient cultures and political rivalries, while its inhabitants contend with a harsh and changing environment. Carter eventually returns to Earth, leaving the account of his Martian experiences framed by mystery.

The novel’s central concerns include adaptation, honor, courage, loyalty, and the creation of identity in an unfamiliar culture. Its romance is joined to a fast-moving sequence of physical trials, and its imagined societies allow Burroughs to stage conflicts over power and allegiance. The book is not hard science fiction in the modern sense. Rather, it uses the popular ideas and imaginative possibilities of Mars available to its era as a setting for heroic adventure. Its vivid spectacle and direct narrative style place momentum and emotional immediacy ahead of scientific explanation.

Background and legacy

Burroughs turned to fiction after a series of unsuccessful jobs and business ventures. In 1911, while under financial pressure, he submitted a portion of a novel to All-Story Magazine. The resulting story helped launch a writing career that would include both the Barsoom books and the much larger Tarzan series. The serial’s success also gave Burroughs a setting he could revisit and enlarge across later adventures.

A Princess of Mars remains a landmark of pulp science fiction and planetary romance. Its combination of a human visitor, an unfamiliar civilization, heroic combat, and a threatened princess helped establish a durable pattern for interplanetary adventure. Writers including Ray Bradbury, Robert A. Heinlein, and Arthur C. Clarke have been associated with the series’ influence, and its imaginative reach has extended beyond literature into later popular culture. Modern readers may also find its racial hierarchies, colonial assumptions, and conventional gender roles troubling; these are important features of its historical context, not reasons to overlook its lasting imaginative and generic influence.

About the Author

Edgar Rice Burroughs

Life and formation

Edgar Rice Burroughs was born in Chicago, Illinois, on September 1, 1875, and died in Encino, California, on March 19, 1950, aged seventy-four. His father, George Tyler Burroughs, worked in distilling and battery manufacturing, and his mother was Mary Evaline Burroughs. Edgar attended a succession of public and private schools before graduating from Michigan Military Academy in 1895. He had hoped to enter the United States Military Academy at West Point but failed its entrance examination. He then served as an enlisted man in the Seventh Cavalry, including a posting at Fort Grant in the Arizona desert. The military and frontier settings of his early life would later feel at home in his adventure fiction, although his novels transformed such experience into extravagant fantasy rather than autobiography.

After leaving military service, Burroughs tried a range of occupations and business ventures. Accounts of his early working life include railroad policing, mining, and commercial work; these attempts did not bring him lasting success. He had long enjoyed adventure stories, and financial pressure eventually helped turn reading into a practical decision to write. In 1911 he submitted fiction to a popular magazine, beginning a career that would make him one of the most widely read adventure writers of his generation.

Writing career and major works

Burroughs’s breakthrough came with the story that became A Princess of Mars. It appeared in All-Story Magazine in 1912 as Under the Moons of Mars, then was issued as a hardcover book under its familiar title in 1917. The novel introduced John Carter and the imagined Martian world of Barsoom, which Burroughs developed through a series of further books. His other major creation was Tarzan: Tarzan of the Apes appeared in book form in 1914, following its magazine publication. Tarzan became an enduring popular character and established Burroughs as a major figure in adventure fiction as well as in early science fantasy.

Burroughs also built other recurring fictional worlds. His series included the subterranean setting of Pellucidar, with Pellucidar published in 1923, and the Venus adventures, including Pirates of Venus in 1934. The range of these settings shows his characteristic method: take a striking premise, place a resourceful hero in a dangerous unfamiliar world, and sustain the story through pursuit, combat, discovery, and personal loyalty. His success eventually enabled him to establish his own publishing house and motion-picture company.

Reputation

Burroughs is remembered as a prolific popular storyteller whose work helped shape the conventions of both adventure fiction and science fiction. The Tarzan and Barsoom series have remained his best-known creations. Barsoom’s heroic interplanetary adventures influenced later writers, including Ray Bradbury, Robert A. Heinlein, and Arthur C. Clarke, and helped establish planetary romance as a recognizable form. Burroughs’s swift pacing, striking settings, and memorable protagonists have kept his books in circulation and inspired adaptations and later reinterpretations.

His reputation is also read in historical perspective. The novels reflect early twentieth-century assumptions about race, empire, and gender that many contemporary readers rightly question. Recognizing those limitations alongside the books’ formal influence gives a fuller account of his place in literary history: Burroughs was both a defining popular author of his era and a writer whose imaginative worlds continue to invite reassessment.

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